The British Government has announced that all wounded veterans will get the most advanced artificial limbs. This involves increasing funding by £6.5 million. A report by The Daily Telegraph, including an interview with Defence Secretary Phillip Hammond, can be foundhere.
This film from the British Pathé archive shows artificial limbs of the past. In the footage, First World War amputees practice with their new prosthetics.
In 1925, with the cooperation of the War Office, British Instructional Films set out to make a dramatic, feature-length reconstruction of the five Ypres battles in which 1.7 million soldiers lost their lives.
Directed by William Summers, the result is a silent classic. Unlike the famous 1916 documentary The Battle of the Somme, the Ypres footage is entirely “faked” and the film shares some of Somme‘s propagandist approach. Regardless, the film is no less fascinating as an artistic endeavour of its time and it features some stunning images. A degree of authenticity is provided by real soldiers taking part and by the filming having taken place in the actual Ypres trenches.
The documentary, called simply “Ypres”, can be viewed in its entirety on the British Pathé website, via this link. Some of the footage is quite dark and you might need to adjust the settings on your monitor, but it is well worth a watch.
William Summers also directed the film Nelson (1926), starring Cedric Hardwicke. The silent motion picture, also made for British Instructional Films, can be viewed here.
In the run up to Remembrance Day, the archivists here at British Pathé have been revisiting our old First World War footage. There’s a great deal of it, much of it dramatic and chilling. What has struck us most are the faces of these young soldiers as they sit in the trenches awaiting the order to go “Over the Top”. Sadly, the names of these brave men are unknown to us, as are their ultimate fates.
Which is why we need your help. Much of our valuable World War One footage remains unidentified. We don’t know exactly where and when some of the material was taken. For the sake of posterity, we feel it is essential to catalogue the films and contextualise them.
This year, we’re focusing on one individual.
The above still is taken from a film (view it here) in the archive and is believed to be from the First World War. It shows the marriage of a British officer to his bride.
Who is this person? Did he survive? Where might he be now?