For the last few decades, holidaying in Iraq has, sadly, been almost impossible. The country has been synonymous with war, violence and oppression for such a long time that the idea of visiting seems very fanciful for anyone born after the 1960s. 40 years ago, Iraq was in fact a popular destination for tourists. But for now, we can only travel there through the medium of film.
We posted an article, “Iraq Before Saddam“, a few days ago, featuring ten films from the history of Iraq prior to the 2003 invasion. But one of them deserves special attention.
The Pathé documentary unit shot a two reel documentary called Ageless Iraq back in the 1950s. If you disregard that the film was probably made for propaganda reasons (the notes say the film was made for the Iraq Petroleum Co.) and instead just view it as a travelogue, it paints a fascinating and extremely appealing picture of this ancient land.
Afternoon sailing trip
It is easy to forget that Iraq is in fact a country steeped in rich history and culture and as the first reel tells us, the very beginnings of civilisation started here. This is a country where writing was conceived and where man began cultivating the land. The Tigris and Euphrates rivers flow through Iraq, fertilising the plains and during the 1950s agriculture production was thriving and self-sufficient. Iraq is also home to the ancient walls of Babylon and is the birthplace of the prophet Abraham.
Baghdad – this could be a resort in any other holiday hot spot
Both reels show images of a landscape, culture and society that we just don’t associate with Iraq anymore: art, horseracing, music, cuisine and boats leisurely sailing down a canal in Basra otherwise known as “The Venice of the Middle East”.
The narrator states at the end: “Ageless Iraq, a new country but one that hasn’t forgotten the glories of its history. A country that is now emerging from the shadows of it past to a future bright with promise.” Let’s hope that this will soon be true again and that perhaps, one day, we will be able to book a flight to explore this fascinating land.
“That’s all very well, but what has the Pathé archive got for ME?”
It can be tempting to think of the British Pathé archive as being only of interest to those with a passion for the history of the Twentieth Century. After all, the bulk of the footage comes from around 1914 to 1969 – the earliest clip in the archive is from 1895 (New Blacksmith Shop) with the most recent material contained within a BBC/British Pathé co-production covering the collapse of Enron in 2006 – but there is in fact plenty for those with a preference for other historical periods, or those who have specialist interests, to explore. The Pathé archive isn’t all about the Queen and British politics.
An obvious starting place for those with an interest in history prior to the Twentieth Century, is the archive relating to Ancient Egypt. We have footage of Howard Carter in front of the tomb of Tutankhamun, as well as shots of the treasures found within. (Visit our Tutankhamun collection here.)
Howard Carter at the tomb of Tutankhamun.
But as well as that famous pharoah and his discoverer, our extensive archaeology archive (click here) contains coverage from all parts of the world. You’ll be able to see Tudor and Roman Britain excavations, tour Pompeii, the Middle East, and dive the oceans to explore shipwrecks.
It’s true that none of these clips are necessarily going to help you study these periods (unless you want to look at how they were portrayed in the Twentieth Century), but they are surely of interest. What Egyptologist wouldn’t marvel at seeing Carter at the tomb, or the glistening treasures on display?
There’s also stuff for people who don’t even like history (if such people exist). Here we present just a few ideas for exploring the archive for those with specialist interests.
A still from the series Secrets of Nature.
Fascinated by science, animals, or insects? Try the classic Secrets of Nature – it covers the amazing life-cycles of plants, via some stunning microscope photography, as well as detailing the lives of many species of animals, birds, and insects.
Haven’t travelled enough? Take the cheap option and travel the world through British Pathé’s collection of travelogues. Escape the humdrum of everyday life with these clips (for the most part in colour) of numerous sites – from the ancient cities of Jerusalem, Rome, and Thebes, to the culturally rich capitals of Paris and Moscow, to the childish delights of Disneyland in sunny California.
Like animation? See Jerry the Troublesome Tyke, a classic animated series from the silent era, addictive due to its immense charm and wealth of humour.
What about music? We’ve got the Rolling Stones! Or visit our Beatlemania archive.
The Power of Nature.
Interested in the power of nature? Watch volcanoes explode, the earth shake, and rocks tumble in this collection.
Always wanted to be an astronaut? Rewatch the moon landings or other significant events from the Space Race in our collection.
Or just want to pass the time with some wacky stuff? We’ve got a collection of crazy inventions, or just try searching for something. The still below is from our “Robot Boy” video, which has been popular recently. We found it by accident when looking for something else.
So search the archive for hidden gems at www.britishpathe.com. There’s 90,000 clips with something for everyone! Thought of some topics we’ve missed? Leave us a comment below. Happy searching!
For the years 1933 to 1958, see blog post “A Golden Age”.
In 1958, Warner Brothers merged with Associated British Picture Corporation (parent company of Pathé-branded newsreel and feature film producers, Associated British-Pathé) to form Warner-Pathé. The new management oversaw the introduction of colour into regular news production (it had hitherto been saved for special documentaries such as Elizabeth Is Queen). But Warner-Pathé needed more than colour in order appeal to consumers who were increasingly getting their hard news from live television. Other newsreel brands went out of business, and the company needed to adapt if it was going to survive. The answer it found was to focus on the quirks of humanity.
Warner-Pathé offices on Wardour Street, 1963
“Cinemagazines” were not an invention of the 1960s. They actually date right back to 1913 and the Kinemacolor Fashion Gazette, though it was Pathé-Cinema which perfected the form with 1918’s Pathé Pictorial. But the 1960s were the cinemagazine’s heyday. Colourful, quirky, and fun, they were also light on information and hard news. In some ways, this footage is more valuable today than when it was filmed. At the time, mere light entertainment, it now serves as a window into the leisure activities of the British people in the 1960s. Indeed, the collection was used extensively in the 2012 BBC Four series British Passions on Film.
The opening of the final edition of Pathé News in February 1970.
Regardless of the merit of the output, the company could simply not compete with the rise of television. In 1969, the final Pathé Pictorial cinemagazine was released, shortly followed by the last edition of Pathé News. This was when Associated British-Pathé went through a radical transformation, from an active news and film production house, into a dormant film archive.
As the Warner-Pathé staff on Wardour Street were wrapping up their long history of news and feature film production, they were purchased from Warner Brothers by EMI (which later became Thorn EMI). The cameras in Wardour Street may have stopped rolling, but an archive of historic importance remained. The value of its content was immediately clear and television programmes featured visits to the archive. One was Clapperboard with Chris Kelly, which was broadcast on ITV. The collection was now available to be mined by future generations of filmmakers and documentarians, and licensing became the chief occupation of the archive staff.
The Archive under EMI ownership
After a long period without much change, a significant development took place in the later 1980s. Thorn EMI was purchased by The Cannon Group in 1986, which sold the Associated British-Pathé newsreel archive the following year. Cannon did not, however, sell the assets of the feature film arm of Associated British-Pathé. Thus, for the first time, the Pathé-branded UK feature film and newsreel arms were separated, as they remain today. (The feature film assets now lie with StudioCanal.) By 1990, the archive was operating as British Pathé News. It was at this time that the company produced the respected series A Day That Shook the World and Twentieth Century Hall of Fame, as well as Year to Remember, which is still popular on DVD today.
1995 marks an important year in the recent history of the archive. Firstly, British Pathé News was purchased by the Daily Mail and General Trust. Secondly the name was shortened to British Pathé (plc, later Ltd). From 2003 to 2009 the archive was represented by ITN Source and became a respected resource for filmmakers, museums and educators. During this time, the entire archive was digitised in an effort funded partly by the National Lottery.
The British Pathé Ltd logo as it was in 2009
The Independent Archive
In 2009, British Pathé Ltd became, in essence, an independent archive (as opposed to a part of a larger corporation) for the first time in its history. This new era saw the introduction of a museum subscription service, an increase in licensing and programming (notably including The Story of British Pathé, a four-part BBC Four series), and an expansion in the company’s online presence (the entire archive is available to view online for free and is complemented by Facebook, Twitter and WordPress pages, as well as a YouTube channel). In 2012, the archive was awarded “Footage Library of the Year” at the Focal International Awards.
For the foreseeable future, British Pathé looks set to remain a remembered and respected brand within the British cultural consciousness.
British Pathé is always keen for corrections and additional information about its footage and corporate history. Please email us or leave a comment beneath the relevant clip on the website.
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