Remembrance Sunday will shortly be upon us. The British Pathé archive is rich in footage from twentieth century conflicts. We share some select films in the collections listed below.
British Pathé holds one of the finest and most comprehensive First World War archives in the world. You will find chilling shots of young troops huddled in their trenches, wearing gas masks, and going “over the top”, as well as battleships at sea, and aerial warfare. There is also footage of shell shock victims at Seal Hayne military hospital in Devon.
The above link is just a selection and you can find more than 2,000 relevant films by searching on our site.
The archives of World War Two material filmed by British Pathé are wide-ranging. Pathé cameramen went with the troops all around the world as well as documenting the destruction at home. Footage details warfare on land, at sea, and in the air.
The Korean War is often referred to as “The Forgotten War”. Two and a half million people lost their lives in this conflict, including many British soldiers. Our Korean War Collection (just a selection) can be found here, or you can search our website for what you need.
As well as contemporary coverage of various remembrance events and religious services. A catalogue of our Remembrance Day footage can be found here, or you can search our website for more specific films. A particularly interesting one details the work of the Royal British Legion, and visits the factory in Richmond in which war veterans make poppies.
Remembrance Sunday is on 10th November. Remembrance Day is on 11th November.
It is the 70th anniversary of the bombing of Hamburg in Operation Gomorrah. Shots of the RAF and USAF raids and the devastation wrought can be found here.
60 years:The signing of the truce in 1953 was covered by Pathé News and the original newsreel can be viewed here. The archive also has additional material from the Korean War, including combat footage. Here’s a selection.
North Korea has terminated any peace agreements made during the Korean War.
The signing of the original truce in 1953 was covered by Pathé News and the newsreel can be viewed here. The archive also has additional material from the Korean War, including combat footage. You can find a selection in this collection.
The conflict is often referred to as “The Forgotten War”, but as many as two and a half million civilians lost their lives during the fighting, as well as many British soldiers.
We are now entering into the period leading up to Remembrance Day. We have already blogged this week about the history of poppies and why we wear them (see Poppies: An Illustrated History), but there is plenty more to discuss and explore. Since Pathé’s war archive is extensive, we present here some potential starting points, with links here to key collections that can act as a way in.
The archive of World War Two material filmed by British Pathé is wide-ranging. Pathé cameramen went with the troops all around the world, and documented the destruction at home. Footage details warfare on land, at sea, and in the air. Some collections that may interest you include our D-Day clips, coverage of the Battle of the Atlantic, the dramatic escape from Dunkirk, and the devastation of the Blitz.
The Korean War is often referred to as “The Forgotten War”. Two and a half million people lost their lives in this conflict, including many British soldiers. Our Korean War Collection (just a selection) can be found here, or you can search our website for what you want.
In 1933, British International Pictures purchased the Pathé newsreel and feature film brand from Warner Brothers-First National. Associated British-Pathé was born, under the umbrella of the Associated British Picture Corporation, and soon the Pathé brand was enjoying something of a golden age in the United Kingdom.
In the 1930s, the newsreel staff became increasingly ambitious, providing audiences not only with quantity (one only needs to see News In a Nutshell to know that audiences were enjoying this regular dose of news enough to warrant 340 episodes of it), but also with variety. Would You Believe It?, for instance, is a little-known gem assorting footage of various unusual things from around the world, such as oddly-named streets, strange animals, and bizarre technological breakthroughs. At the same time, Feminine Pictorialities continued the company’s trend of providing for all audiences that had begun with Eve’s Film Review in the 1920s. This “special selection for the ladies” covered bathing and hat fashions, hairstyles, and women’s sport.
Following the war, despite having been completely separate companies for two decades, the newsreel companies Associated British-Pathé (UK), Pathé Journal (France), and Pathé News Inc (USA) began a unique partnership. In a move celebrated by President Truman, these organisations began sharing footage and cameramen in order to enable news to be more easily distributed worldwide. Pathé Gazette also rebranded itself – from 1946 until 1970, it would be known simply as Pathé News. One of the major stories from this period was the Korean War, that sometimes criminally-forgotten conflict that claimed an estimated 2.5 million lives.
Newsreel staff at work in 1953.
Associated British-Pathé was also busy producing feature films and commercials, and even expanding into the television market. One such production was Film Fanfare, a charming 1950s film magazine show that presented viewers with footage from recent glamorous premieres as well as featuring in-studio interviews, quizzes, and reviews of what are now classic motion pictures. However, the most impressive example of the television work done was the company’s involvement in Peter Baylis’s Time To Remember. This epic series touched on all aspects of life in the first half of the Twentieth Century, using the original newsreel footage, and was narrated by celebrated actors, including Sir Michael Redgrave and Sir Ralph Richardson. Its charm was such that in 2010, the BBC re-edited and re-broadcast the series for a modern-day audience, retaining much of the original commentary.
But television posed more of a threat than an opportunity for the company, especially for the newsreel staff. They could release the Queen’s coronationin glorious colour, and even film it in 3D(!), but it was not a live broadcast like that of the BBC coverage. Viewers were increasingly not willing to wait. The newsreel format was also beginning to look tired, with outdated patriotism at odds with the postcolonial attitudes of the British public (particularly during the Suez Crisis). By the end of the 1950s, Pathé News was already struggling to compete. The 1960s would witness a shift in the nature of the company’s output as it tried to survive.
British Pathé is always keen for corrections and additional information about its footage and corporate history. Please email us or leave a comment beneath the relevant clip on the website.
British Pathé 
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